Mixtape 138 :: Political Song
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
The haberdasher heard a light thump and roll, then felt something tap against a shoe. It was a peach pit. Looking up from the stack of brochures, they saw the orthodontist grinning and wiping their mouth with a sleeve, glancing at the gap on the blanket where the fruit was drying in the sun, clearly suggesting that perhaps another one was in order. The tandem moped leaned against the back of the Gate of Hercules, shielded by its bulk from the bright Croatian summer sun. The peaches had hours to go, and they had forgotten to bring a game., having only whatever reading material they had managed to scrape up in the Hotel Pula lobby.
Born Ruffians hail from the Great White North, and they have an innate ability to craft razor-sharp hooks out of the simplest of riffs.
It was a peaceful suburban street, and they had taken great care to select a vehicle that would not stand out when parked along its sidewalks, a gold Taurus wagon. The very familiar nature of the setting — the shading trees, the mottled but well-kept asphalt, the toys scattered on lawns — made it feel like one of the most exotic places they’d been to in a while. The cartographer checked the coordinates on the fancy device strapped to their wrist, but any web search could have found them Brewster, New York. The ethnomusicologist leaned against the mailbox, labeled “Marie”, and scanned the canopy of the tremendous spreading oak planted square in the middle of the lawn, eyes peeled for that squirrel.
The carpenter took a leisurely walk around the perimeter. In the weird light cone projected by the light they had installed at the top of the can, the ropes they had used to rappel down looked like the undulating tentacles of a mysterious jellyfish. Outside the cylindrical building that very deliberately resembled an oversized Coca Cola can, the security guard’s radio played Chicago sambas into the crisp Manitoba evening as he idly played his flashlight over the bushes outside. The choreographer stifled a giggle. On one of the ornithopters parked atop the domed top, next to an opening that looked like someone forgot to bring a canopener, a single LED began to blink. The mission was running out of time.
Wildly varied compositions, ranging from driving fuzz with vocal harmonies to sparse tributes that sound like they came from "My Aim Is True” outtakes, to outright cowboy dirges