It’s election night in the US, but the whole point of today’s show is to pretend it isn’t. To that end, we are kicking off with my new favorites AK/DK — they sound ready to take the system apart using only the crudest electromechanical components. Big shout out to the crew near Rocket Park who enjoyed the show to the point of calling in. Long live the Gizzle!
It’s election night in the US, but the whole point of today’s show is to pretend it isn’t. To that end, we are kicking off with my new favorites AK/DK — they sound ready to take the system apart using only the crudest electromechanical components. Big shout out to the crew near Rocket Park who enjoyed the show to the point of calling in. Long live the Gizzle!
Peel Dream Magazine extend a cordial invitation to visit their hallucinogenic analog planet.
The Spirit Of The Beehive is buzzing cataclysmically in your head, but that’s the price you pay for the honey.
There’s a lot of great new music out there right now, and near the top of the heap is The Bug Club, whose most recent release is filled to the brim with joyful nuggets of everyday life. The school year has started and the coffers are overflowing with a lot of great new music.
Magic is in the air, so we are starting most appropriately with Boom Pam and their take on Steve Miller’s “Abracadabra,” herein entitled “Alakazam.” It only got more magical from there with new music from Nick Cave, Fake Fruit, and Los Bitchos, all of whom are presently on desktop rotation. Next week: a special Fund Drive show.
All hail new royalty King Hannah and their studious and efficient delivery.
Barry Adamson delivers soundtracks to cinematic masterpieces that don’t exist.
Some of us are lucky. Some of us get to sit in a comfortable broadcasting studio and play Orville Peck, while others are hacking their way through a couple of gloomstalkers with nothing but the barely-magical weaponry a fifth-level figher can afford.
It doesn’t get more mid-century Goth than The Raveonettes picking up on the Velvet Underground’s “Venus In Furs”. Besides that, the tenor of the night tended to lean towards the acoustic, with a handful of sets exploring the pluckier side of things.
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