Mixtape 303 • Anhedonia
Stop accepting all this nonsense and get aboard the Mamalarky.
Stop accepting all this nonsense and get aboard the Mamalarky.
Every early June, I’ll hit the first day of the year where it’s still light when I get to the radio station. It’s a few weeks before summer officially begins, but it always feel like the starting gun for the season. Tonight! We start out with Mhaol, who would just as easily cut you as they would kiss you, and proceed from there.
Find a seat around the campfire, Sunny War is about to start.
Nothing like the feeling of having a new Broncho album to obsess over, I invite you to join me to, as they say in my native country, “sumérgete en cheddar.” Elsewhere tonight, panic at the discotheque — if you were listening, you know exactly what I’m talking about.
A third installment of Version Control, our semi-regular exploration of tribute and imitation.
Mimi Parker, vocalist and drummer and half of the Minnesota band Low, passed away a couple of weeks ago while I was traveling. It’s a shocking loss and an abrupt end to a musical career that was still unfolding; the band’s last two albums, coming at the tail end of a discography that spans decades, showed a blossoming new direction for an act that was famed for their quiet and glacial approach. We open the show with Low’s rendition of a Bee Gees classic in tribute.
It’s time for another Fun Drive, and what better way to represent tonight’s manic energy than Daisy Chainsaw and their epic “Love Your Money”? Also tonight, we have received a matching grant of one hundred dollars of America, via Telex: THIS IS THE HRVST TROGGOLD TO TELEX THE PLEDGE COMMITMENT THE ONE HUNDRED COMMA DOLLARS STOP OF MATCHING AMPLITUDE OTHER PLEDGES OF DONATION COMMA MATCH EXCLAMATION STOP HAVING REPORTING OF ARTICLE COMMA THE TURKISH ALMOND FARMING COMMA COMMA COMMA BEST THE LUCK STOP COMMA
Boston’s Sleepyhead have been successfully dodging full wakefulness for a couple decades now, putting out an intriguing type of bedroom pop filled with subtle complexities, and their new album is filled to the brim with such. In other news we kick off with a Fugazi cover from quintessential NYC band BODEGA, whose lineage clearly traces back to legions of posterized grit punks.
Paleface didn’t say it first, but he probably said it best: it’s a World Full of Cops. Musicians and the authorities have been at each other’s throats for a while now, and there is no shortage of songs showing cops in a bad light, so what I like about “World Full of Cops” is its simple observational mantra: they are everywhere, we put them there, and they are us. Enjoy a full evening of police-themed music — it’s the law!
If there is one word to describe this latest outing from Kim Salmon, with its droning rumbles, hazy distortion, and proto-punk vibe, it is “menacing”. This is an album you apologize to, maybe buy it a drink to be safe.