Mixtape 151 • Lovesick
Sometimes rock and roll seems to get stuck in a rut, but The New Madness bring fresh life to a sound that was old before they were born.
Sometimes rock and roll seems to get stuck in a rut, but The New Madness bring fresh life to a sound that was old before they were born.
The journey to the island had been placid, cutting through the postcard-blue waters on the kite hydrofoil like an experienced tailor shearing fine cloth for a new suit. Things were a bit more complicated now that they were at the Heraklion Archaeological Museum. The horologist consulted the mission notes, which simply stated “remove all anachronistic displays.” The historian, fearing seasickness, had taken a pill and was now having a comically adverse reaction that rendered them useless for these judgements. A security guard eyed them warily, but perhaps they could turn the situation to their advantage by playing up the effects as excessive inebriation.
The accordionist’s boot was tangled in a mangrove root. The deepening dusk of Meads Bay Pond brought with it a soft breeze and an ugly threat of bug swarms. Their chances of getting to the beach and capturing enough glowing sugar crabs were dwindling. The roots, more like underwater dreadlocks, heaved as the booted foot attempted to twist out, the accordion case held high as counterbalance. The technician glared at the spectacle briefly before shining a light on the clipboard. In the distance, a barbershop quartet with a Tuvan throat-singing baritone made it incongruous presence known. The keys to the long-range waterbikes had a floaty thing on them, but they were permanently attached to the metal clipboard, which would sink like a stone. The Governor’s Office back in The Valley would certainly hear about this.
Twenty years later, Dr. Octagon still sounds like the future of intelligent-slash-weird hip-hop
Cross-cultural collaboration mixes up a Balkan frenzy with dope beats and MC’ing