Mixtape 222 • Machine Shop
It’s time to take perspective on our hyper-technologized society, through the audio lens of song.
It’s time to take perspective on our hyper-technologized society, through the audio lens of song.
Hailing from the southwest of France, The Llamps build on a sound that's equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
The luthier adjusted the direction control of the four-legged arachnoform lumbering above the forest of Oro Bay. The spherical contraption had been difficult at first, but proved to be intuitive in guiding the transport’s spindly hissing legs across the varied terrain. Behind the padded seat, the cartographer consulted screens and printouts. The purple spruce should be visible soon. A single trunk would yield over a hundred cello bows, worth millions in the underground market. They were there to make sure it remained just another tree.
This is the HALLOWEEN 2018 mixtape, seventeen carefully curated bits and pieces of spine-tingling scary and thematic. Yes, there was some Ministry. And some Throbbing Gristle, and others
This is MACHINE SHOP, a special one-hour mixtape from yours truly featuring songs about all the weird devices we humans have imagined and constructed out of musical parts. I’m closing it out with the Smugglers’ “She’s A Machine,” which inspired me to put this together when a search for it revealed all sorts of inexplicable gadgetry lurking in my library.