The Stranglers :: Dark Matters
When you’re closing out your fifth decade as a band, you might be expected to rehash all your tired tropes and package them as brand new nostalgia. Instead, this sounds like a lost album from the band’s golden era.
When you’re closing out your fifth decade as a band, you might be expected to rehash all your tired tropes and package them as brand new nostalgia. Instead, this sounds like a lost album from the band’s golden era.
The female vocals have a child-like quality, and the bass-forward music hulks behind it, sometimes like a princess’ bodyguard, sometimes like a delicate clockwork contraption.
When Rob Crow gets to anthologize the songs he wants to cover into an album, the results are disparate, insightful, and educational, ranging from King Crimson to the Melvins to the Beach Boys.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
The haberdasher heard a light thump and roll, then felt something tap against a shoe. It was a peach pit. Looking up from the stack of brochures, they saw the orthodontist grinning and wiping their mouth with a sleeve, glancing at the gap on the blanket where the fruit was drying in the sun, clearly suggesting that perhaps another one was in order. The tandem moped leaned against the back of the Gate of Hercules, shielded by its bulk from the bright Croatian summer sun. The peaches had hours to go, and they had forgotten to bring a game., having only whatever reading material they had managed to scrape up in the Hotel Pula lobby.
Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”.
If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
A strange confluence of influences, with a lot of dynamic arrangements and plenty of weird hooks that shouldn’t work but are lethally effective.
Understated but solid set of songs with a strong female vocal presence. There’s a loving interlocking of guitar, bass, and keyboard lines that gives the music a rich and interesting texture.
Somewhat screamy post-punk filled with jagged stabs of guitar and a thundering rhythm section that casually locks in weirdly-metered fills.