Tag: Nick Lowe

Let's have a skeptical listen to My Favorite Lies, a collection of songs about falsehoods, fabrications, and outright deception.

AK/DK wield their throbbing oscillators in the greater service of Electropunk.

Don’t let the luxuriant snowy cap of decidedly English hair fool you, Nick Lowe remains sharp and smooth as ever.

It’s election night in the US, but the whole point of today’s show is to pretend it isn’t. To that end, we are kicking off with my new favorites AK/DK — they sound ready to take the system apart using only the crudest electromechanical components. Big shout out to the crew near Rocket Park who enjoyed the show to the point of calling in. Long live the Gizzle!

Once upon a time, the Jesus Lizard was about as subtle as a candy-coated cinderblock. These days, well, they’re about the same. Tonight, they introduce things with a speculative reminiscence that is measured, philosophical, and yet somewhat menacing.

The matchup of pub-rock king Nick Lowe and masked instrumental raiders Los Straitjackets might seem like a weird one-off joyride, but Lowe's wise croon has intersected with their sparkling backing many times, and this may be their best effort yet.

A third installment of Version Control, our semi-regular exploration of tribute and imitation.

Tonight, we start with a special presentation of My Favorite Lies, a one-hour collection of songs about untruths, deception, fakery, and more. Moving on, we filled the rest of the evening with the usual variety of genres, mostly from the last few months. Of particular note are new releases from Holiday Ghosts, Adrienne Lenker, and Alejandro Escovedo.

Sure, we’ve all heard of the Eiffel Tower, but what do we know about the architect whose name it bears? April March breaks it all down on this version of the Pixies’ song. Also in this show, a special-delivery track from Planets in the Ocean, a new project from one of my favorite vocalists, Robb Benson.

I just recently noticed the Morbysphere, the term I had to come up with just now for all the interesting music swirling about Kevin Morby, his solo work and that with Woods and Babies, and now the work of his frequent musical collaborator Justin Sullivan as Night Shop, which vibrates in roughly the same product-of-two-primes harmonic frequency. Also tonight, I will be breaking my personal record for longest track played on the air with the full length of King Gizzard and the Lizard Wizard’s “The Dripping Tap”.