Tag: Chris Murray

Sit in the shade and listen to Obongjayar to make a hot summer feel cool.

Another daylight arrival! I brought the wrong headphones! We started out with an AM anthem from Albert Hammond (Sr) in the quite capable hands of White Hassle. This song is also the reason Hammond gets a writer’s credit on Radiohead’s “Creep” which is a story for a separate time. Broncho in Salt Lake City tomorrow night!

The carefully curated collection of artists performing tracks made famous by other artists continues, in the third annual Version Control. Some of these could be so obscure as to ask “is it a cover if I never heard the original” but we can leave the answering of that to the armchair philosophers. I’ll go on the record saying a good song is a good song no matter who performs it. Also, to the listener and fellow cassette afficionado that complained about Maxell and Memorex being mentioned in the same breath: my point is that neither one of them is TDK.

Tonight’s opening theme is clearly tribute to the Imaginary City — the opening cover is from the town’s The Streetwalkin’ Cheetahs, who are named after an Iggy and the Stooges lyric and have been pumping out a corresponding racket for about 30 years now. The song itself, originally by X, is about a friend of the band that left for England to hook up with the Damned’s Captain Sensible. The lore is unclear on whether the Captain was expecting that or not.

Boston’s Sleepyhead have been successfully dodging full wakefulness for a couple decades now, putting out an intriguing type of bedroom pop filled with subtle complexities, and their new album is filled to the brim with such. In other news we kick off with a Fugazi cover from quintessential NYC band BODEGA, whose lineage clearly traces back to legions of posterized grit punks.

If the name didn't give it away, there is a very distinct beach slash surf feeling to San Diego's Wavves and their sun-glittered sounds.

The original “Crimson and Clover” was Tommy James and the Shondells' biggest hit, but it was also one of the first songs to be recorded on 16 track equipment, and is a textbook example on the use (or overuse) of rhythmic tremolo. Pom Pom Squad does a good job of channeling the song's sweet yet feral vibe.

The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.

The haberdasher heard a light thump and roll, then felt something tap against a shoe. It was a peach pit. Looking up from the stack of brochures, they saw the orthodontist grinning and wiping their mouth with a sleeve, glancing at the gap on the blanket where the fruit was drying in the sun, clearly suggesting that perhaps another one was in order. The tandem moped leaned against the back of the Gate of Hercules, shielded by its bulk from the bright Croatian summer sun. The peaches had hours to go, and they had forgotten to bring a game., having only whatever reading material they had managed to scrape up in the Hotel Pula lobby.

Soul jazz ensemble The Greyboy Allstars have been around so long they have grown into their name.