Mixtape 155 • Sinking Ships
Canadian indie guitar geniuses Born Ruffians have released two great albums in less than a year, and easily earned the distinction of being the first artist to twice be featured on a Mixtape.
Canadian indie guitar geniuses Born Ruffians have released two great albums in less than a year, and easily earned the distinction of being the first artist to twice be featured on a Mixtape.
Scruffy and rough around the edges, South London’s shame will not back down or pull a punch, but will put their arm on your shoulder and make you sing along
The sound of Star Feminine Band is born of Benin, brightly colored patterns, and wild abandon, young carefree voices skipping over liquid guitar and intense percussion.
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.
“Batu means ‘rock’ in Malay” said the photographer, for the third time in a week. The sous-chef ignored the comment, also for the third time, and tried squinting in the darkness at the cribbage board. They had been wise enough to purchase a glow-in-the-dark deck after all these midnight assignments, but had yet to extend their ingenuity to the board. Tapping a foot in irritation, they knocked over the thermos full of hot cocoa set on the steps, and it would have rolled down several long flights of guano-covered stairs had it not been stopped by the tandem bike’s wheel leaning against the statue’s pedestal. Above them, Lord Murugan stared stonily into the dark.
The journey to the island had been placid, cutting through the postcard-blue waters on the kite hydrofoil like an experienced tailor shearing fine cloth for a new suit. Things were a bit more complicated now that they were at the Heraklion Archaeological Museum. The horologist consulted the mission notes, which simply stated “remove all anachronistic displays.” The historian, fearing seasickness, had taken a pill and was now having a comically adverse reaction that rendered them useless for these judgements. A security guard eyed them warily, but perhaps they could turn the situation to their advantage by playing up the effects as excessive inebriation.
With its Byrds-inpired jangle, harmonized “whoah-oh”s, and overflowing nervous energy, this could very well be an unearthed recording from the liminal era between “new wave” and “alternative”.