Mixtape 114 :: Can't Do Much
Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.
Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.
It was a peaceful suburban street, and they had taken great care to select a vehicle that would not stand out when parked along its sidewalks, a gold Taurus wagon. The very familiar nature of the setting — the shading trees, the mottled but well-kept asphalt, the toys scattered on lawns — made it feel like one of the most exotic places they’d been to in a while. The cartographer checked the coordinates on the fancy device strapped to their wrist, but any web search could have found them Brewster, New York. The ethnomusicologist leaned against the mailbox, labeled “Marie”, and scanned the canopy of the tremendous spreading oak planted square in the middle of the lawn, eyes peeled for that squirrel.
I have never been so uncomfortable, thought the hacker as they strained to match the wires in the fusebox, their head inches from one of the combine’s many potentially lethal harvesting blades. The lookout’s shadow was barely visible against the hangar door. Straining to clip the blue wire into the scanner, they heard a soft call and nearly lost an ear before remembering their uncomfortable position.
The Cadillac engine roared with naked abandon behind the driver. It was the familiar rumble of the seven-liter-plus workhorse, but its power was unleashed on a propellor instead of a bulky automatic transmission. At the airboat’s prow, the tracker kept an eye on the reeds that protruded in clumps from the murky water. Barely audible on the comm link were the strains of some forgotten psychedelic blues. A promising glint along the mangroves gave hope they had found the downed satellite. It turned out to be the stare of a brooding twelve-foot alligator, unwilling to leave the scene. The search continued.
The keypad beeped softly as the astronomer keyed in the coordinates. It was deepest darkest night on the altiplano, the stars above an unfamiliar configuration for those born to northern skies. The physicist tapped their pencil against their favorite clipboard (the metal one), the coffee-stained papers clipped to it showing the revised calculations for the Hole In The Sky. Over the tinny intercom, hacked because both had forgotten to bring a speaker, a particularly ironic song choice began to play, making them instinctively share a knowing glance.
The specialist carefully manipulated the waldoes linked to the robotic arms in the front of the submersible. The pilot peered out of the top dome, the glare of the spotlights illuminating the complex structure of the oil rig but the visibility of this part of the Gulf of Mexico not allowing much to be seen past the first couple tangles of girders. A single wire tethered the craft to the surface, its sole purpose safely delivering the radio signal carrying its obscure music and coded instructions past fathoms of seawater. The robot arms clasped the watertight bale of Oaxacan tamales tightly. The mission was only half over.