Mixtape 191 • Avalanche Of Love
There are many bands that go by W.I.T.C.H. but this is the only one where it stands for “we intend to cause havoc.”
There are many bands that go by W.I.T.C.H. but this is the only one where it stands for “we intend to cause havoc.”
Bo Diddley may have written tonight’s opening cover, and Spoon may be the one actually performing it, but the spirit of Billy Childish, whose version earworms its way through my head every year or so, is quite strong on the shambling, end-of-the-rehearsal vibe heard here. To the listeners voicing strong opinions about the adorably shrill kids’ story that runs at the top of The Final Hour — your notes have been passed on to Management.
The Boo Radleys are eager to share their sweet shocking intensity and it will instantly lift your day.
No pan flute, no washes of synthesizer textures, just Olivia Jean doing her best impression of a land-bound siren and kicking up the octane in the Enya original to unsafe levels. It’s a hot summer so far, with lots of great releases crowding the older stuff out of the playlist, and it shows no sign of letting up. There’s a new album from the Boo Radleys (it’s been a while!), and I am obsessing over motorik sounds from Orange Drink and Motor!k. It’s far more than will fit on a single cassette, unless you get one of those ultra-long ones that your car deck will eventually eat up.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
Habibi is what happens when you spill solvent on the psychedelic garage / surf music / girl groups section of your record collection.
The pediatrician scrambled on hands and knees after the rubber ball. It deflected off the base of the Monument to Fuel Tanker, his imperturbable brass cheer completely unaffected by the collision. The interlocutor looked around surreptitiously. Their aim was to provide some normalcy to the fact that two people were hanging out near one of the lowest-ranked attractions in Grodno while the sophisticated electronics built into their footwear communicated with the satellite and sorted out the problem with the statue. But maybe this game of jacks had not been the best idea for cover.
Born Ruffians hail from the Great White North, and they have an innate ability to craft razor-sharp hooks out of the simplest of riffs.
The composer stood over the gunwale, pressed the small button, and blew into the instrument, discharging the contents into the dark green waters below. If they had known it was going to be this type of floating market, they would have picked a different watercraft. This explained the unprecedented difficulties when trying to secure their transportation with the Colombo office. The ichthyologist indicated one of the floating structures, and began maneuvering their craft towards it. The composer took a breath and the signal, a brief segment of “Message To You Rudy”, went out from the melodica.
The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.