Tag: Shibboleth

Bring your surfboard and get ready for a big fat middle finger to the man from The Lemon Twigs.

It’s the first night of the year where I arrive at the station in daylight. Also, it’s been unseasonably cool. But neither of those things is as notable as a new album from Toadies which brings up more of that brutal precision fuzz pop that made my ears perk up the first time I heard them over 30 years ago. Elsewhere tonight: a phone call from PJ, on the road, and middle-cased keyboards.

Brimming hot, dark, and strong with the elixir of repetition, pôt-pot help you eat the miles.

The aleatory nature of playlist selection for The Lacking Organization means all-instrumental sets are rare, so having two in one show definitely merits a mention in the show notes. Tonight’s highlight is Mac DeMarco, whose new album provides the perfect soundtrack for this particularly floaty stage of summer.

Welcome to a near-biographical experience as we focus on songs named after (and occasionally about) real people you may have heard of.

It was a day of jet-setting, starting in the dark hours of morning, and it wasn’t going to be over until the studio light went off. To keep up the energy levels, we presented a double-header of a special, first an hour of The Famous Polka, featuring songs titled after real (mostly) people, and following that two hours of Balkan Fever, with music that was far from exclusively Balkan but all fed into that manic two-step non-stop feeling.

On this, Hurray for The Riff Raff and I agree: don’t mess with bison.

A very quiet night, perhaps everyone is hunkering down for the leap day. Featured is IDLES, who all look like they could recommend a good IPA, and also would be willing to kick my ass for thinking so. Tonight featured more than our usual ration of covers, starting with a not-unlikely take on Beck’s “Loser” and following up with takes on tracks originally made famous by Muppets and Devo.

Mimi Parker, vocalist and drummer and half of the Minnesota band Low, passed away a couple of weeks ago while I was traveling. It’s a shocking loss and an abrupt end to a musical career that was still unfolding; the band’s last two albums, coming at the tail end of a discography that spans decades, showed a blossoming new direction for an act that was famed for their quiet and glacial approach. We open the show with Low’s rendition of a Bee Gees classic in tribute.

When I was younger, still developing my musical tastes, in an era where the Beatles were closer to those days than Nirvana are to these, I hated on Yoko. It's what we all did. The older me, like Stephin Merritt and the many other luminaries on Ocean Child: Songs of Yoko Ono, appreciates the inexpressible beauty and uncompromising nature of her art.