Mixtape 173 • Detroit Basketball
The three-piece punchy pop formula should be familiar to everyone by now, but the sounds of Bad Bad Hats are an elegant proof of their own.
The three-piece punchy pop formula should be familiar to everyone by now, but the sounds of Bad Bad Hats are an elegant proof of their own.
The first time you hear Courtney Barnett taking on the Velvet Underground's "I'll Be Your Mirror," what you get is an electrifying shock of recognition: you know that distinctive voice, you know that timeless melody, but what you're hearing is completely new. I must add that there's a VU tribute album every few years, and even the worst of them can be decent, supported by the strength of the songs, but this one (also titled I'll Be Your Mirror) is exceptionally good.
Tonight, we have Fruit Salsa! A fresh variety of fruits, from the ordinary to the exotic, is selected and cut up into an hour's worth of delectable desert. Somewhere in there, The Soft Boys give us a live version of a Tin Pan Alley classic.
Soul jazz ensemble The Greyboy Allstars have been around so long they have grown into their name.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.
If you’re wondering if Acid Tongue is about having a particularly caustic wit, or about some sort of psychedelic dosage, the answer is yes.
They had been shot at. They had avoided countless booby traps. They had been served tiny delicate cups of the most aromatic and poisonous espresso. All of these events were framed as interrupted cribbage games. Maybe they played too much. The phlebotomist ruminated on this as they locked up their two-wheel drive all-terrain motorbikes across the street from Kirov Park. The Transnistrian passports had been excruciatingly expensive, but the ergonomist insisted it was justified, for complicated political reasons. The pieces rattled against the cribbage board and the very dangerous little notebook in the messenger bag as they strolled through the trail, looking for a man holding two empty water bottles.
It was a peaceful suburban street, and they had taken great care to select a vehicle that would not stand out when parked along its sidewalks, a gold Taurus wagon. The very familiar nature of the setting — the shading trees, the mottled but well-kept asphalt, the toys scattered on lawns — made it feel like one of the most exotic places they’d been to in a while. The cartographer checked the coordinates on the fancy device strapped to their wrist, but any web search could have found them Brewster, New York. The ethnomusicologist leaned against the mailbox, labeled “Marie”, and scanned the canopy of the tremendous spreading oak planted square in the middle of the lawn, eyes peeled for that squirrel.
The pair powered down the sand-skis as they approached the slight concavity in the beach that had been described by the vendor in the spice market. The cliffs of Levera National Park did not seem to be an ideal place for smugglers to congregate, but the actuary would be the first to admit they did not know the first thing about smugglers and their habits of congregation. The blacksmith was better versed in these things, and they didn’t seem to be bothered by where the assignment was taking them. As the morning fog absorbed the last echoes of the recently-killed engines, they marveled at the conical shape of Sugar Loaf rising above the azure Caribbean water.