Mixtape 149 • Strawberry Sunset
When your arrangements are razor-sharp, your moods mercurial and psychedelic, and your melodies constantly off-kilter, you’re probably a Dutch band like Certain Animals.
When your arrangements are razor-sharp, your moods mercurial and psychedelic, and your melodies constantly off-kilter, you’re probably a Dutch band like Certain Animals.
If you got The Nude Party to perform at your next get-together, it would be the kind of shindig that produces two marriages, three break-ups, and gossip for years to come.
The carpenter took a leisurely walk around the perimeter. In the weird light cone projected by the light they had installed at the top of the can, the ropes they had used to rappel down looked like the undulating tentacles of a mysterious jellyfish. Outside the cylindrical building that very deliberately resembled an oversized Coca Cola can, the security guard’s radio played Chicago sambas into the crisp Manitoba evening as he idly played his flashlight over the bushes outside. The choreographer stifled a giggle. On one of the ornithopters parked atop the domed top, next to an opening that looked like someone forgot to bring a canopener, a single LED began to blink. The mission was running out of time.
Modern electronic soul, richly layered and intricately produced, with decidedly old-fashioned influences from ‘60s girl groups, ‘70s AM radio, ‘80s club hits, and so on.
The Sasha river was running dry, and the aerialist maneuvered his craft to take advantage of the fact. As they moved swiftly along the crumbling banks, exoskeletal legs easily scrabbling over the terrain in an unearthly three-limbed gait, they encountered sun-baked sections where a trickle fed a series of pools on the cracking river bottom, animals congregated around them in a temporary truce. They hadn’t seen a human since Saturday, a fact that concerned the actuary more than the dry river, and the attempted distraction of some Guatemalan gamelan techno was not working. In its steel box, the package of Peanut Butter Crunch patiently rustled and awaited its delivery.
A modern amalgam of fuzz, psychedelia, baroque pop, and over-the-top production, filled with hooks baited with earworms.
Like getting picked up by the scruff of your neck and smashed into a wall of orange Jello, Swarming Branch gets your attention with the warping and weaving of "Zsazsur's Real Estate Song".
Lush pop with strange turns of melody and complicated hooks.