Atom™ • This Is Jazz
Creating minimalist compositions out of broken loops, glitched samples, and clearly electronic sounds is a dangerous path to tread, balanced between chaos and monotony, and one Atom™ walks quite easily.
Creating minimalist compositions out of broken loops, glitched samples, and clearly electronic sounds is a dangerous path to tread, balanced between chaos and monotony, and one Atom™ walks quite easily.
For a quarter century, Dirk Dresselhaus has been putting out sparse, intelligent electronic compositions that even at their calmest crackle with some subtle form of nervous energy.
The carpenter took a leisurely walk around the perimeter. In the weird light cone projected by the light they had installed at the top of the can, the ropes they had used to rappel down looked like the undulating tentacles of a mysterious jellyfish. Outside the cylindrical building that very deliberately resembled an oversized Coca Cola can, the security guard’s radio played Chicago sambas into the crisp Manitoba evening as he idly played his flashlight over the bushes outside. The choreographer stifled a giggle. On one of the ornithopters parked atop the domed top, next to an opening that looked like someone forgot to bring a canopener, a single LED began to blink. The mission was running out of time.