Mixtape 272 • Version Control 4
The fourth aggregation of musical replicas and facsimiles!
The fourth aggregation of musical replicas and facsimiles!
A third installment of Version Control, our semi-regular exploration of tribute and imitation.
I’ve done a couple dozen all-covers shows already, usually during fundraising, but for some reason have never come up with a name for them. It must have been because the painfully obvious Version Control hadn’t occurred to me yet, a real embarrassing confession given my day job in the realm of code. At any rate, it is here, and we are going to be versioning them semantically starting now.
Sure, they claim to be joking, but the chops you hear from Lizard Music are as serious as a car accident, their indie guitar pop leaving no hook unsharpened or ear unwormed.
Australian Ben Lee broke through as the singer for the teen outfit Noise Addict, but has since made quite a solo career for himself. He kicks off this edition of Version Control — all covers, all night long.
Sometimes rock and roll seems to get stuck in a rut, but The New Madness bring fresh life to a sound that was old before they were born.
Viagra Boys don’t care what you think… there’s plenty of room for a saxophone and John Prine covers in the backseat of a 21st century punk band.
“Batu means ‘rock’ in Malay” said the photographer, for the third time in a week. The sous-chef ignored the comment, also for the third time, and tried squinting in the darkness at the cribbage board. They had been wise enough to purchase a glow-in-the-dark deck after all these midnight assignments, but had yet to extend their ingenuity to the board. Tapping a foot in irritation, they knocked over the thermos full of hot cocoa set on the steps, and it would have rolled down several long flights of guano-covered stairs had it not been stopped by the tandem bike’s wheel leaning against the statue’s pedestal. Above them, Lord Murugan stared stonily into the dark.
This is the third release in a series of benefit cassette (and digital) releases, all featuring covers of music that is sometimes brazenly obscure, and this one is my favorite of the lot.