Tonight’s show started off with Picture Book, a one-hour mixtape of songs dedicated to the captured image, whether it be a personal snapshot or an exotic postcard. The rest of the night was the usual Mixtape territory, closing out with my latest inexplicable favorite, International Sangman.
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.
The journey to the island had been placid, cutting through the postcard-blue waters on the kite hydrofoil like an experienced tailor shearing fine cloth for a new suit. Things were a bit more complicated now that they were at the Heraklion Archaeological Museum. The horologist consulted the mission notes, which simply stated “remove all anachronistic displays.” The historian, fearing seasickness, had taken a pill and was now having a comically adverse reaction that rendered them useless for these judgements. A security guard eyed them warily, but perhaps they could turn the situation to their advantage by playing up the effects as excessive inebriation.
The mechanic reached deep into the tool bag, knowing the required spanner would be at the very bottom. The clanking briefly drowned out the strains from the radio, its signal relayed every 500 meters by the commpods they had dropped on the way. Carefully fitting the business end of the tool between the rear set of treads on the boring machine, they found themselves exclaiming out loud “actually, I think it’s pretty interesting.” The surveyor, measuring the long tunnel behind them with an x-ray transit, looked back briefly, by now used to such outbursts. The cavern should be another two miles down.
I’m not going to deny the synesthetic appeal of songs with words about pictures, but there is something additionally poignant about the mood created that seems to stand out. The images called forth serve a variety of purposes, from the reminiscent to the hedonistic, but just like your family album, the whole thing works out because it has to.
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