Mixtape 257 • Can’t Be Still
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Some of us are lucky. Some of us get to sit in a comfortable broadcasting studio and play Orville Peck, while others are hacking their way through a couple of gloomstalkers with nothing but the barely-magical weaponry a fifth-level figher can afford.
Arab Strap return with their particularly caustic sense of delicacy.
It was a night for mazzy music, starting with a startlingly woozy track from Maya Hawke and following up with entries from many other exemplary female vocalists with a unique sense of melody and delivery. Also, it’s now light when I leave for the radio station, and midnight when I return, which adds a sense of interdimensional time travel to the broadcasting ritual, I’m going to enjoy that for a few more shows before it’s back to operating under the cover of darkness.
A special collection of songs about humans and their interactions with water.
It’s time to take perspective on our hyper-technologized society, through the audio lens of song.
When I hear the sounds of Islands, I am reminded of sparkling diamonds and shattered glass.
This Buck Meek character is difficult to pin down, simultaneously rural and urbane.
I meant to write the notes for this show sooner than a month after the fact, but travel plans got in the way and here I am struggling for an intro. I can tell you that hearing Sparklehorse take on Robyn Hitchcock and the Egyptians’ “Listening to the Higsons” for the first time, mere weeks ago, felt like someone became obsessed with the same cassette as I did thirty years ago, but actually got around to letting the hen out.
In the last few years, John Lydon, once known to the world as Johnny Rotten, has been in the news for a variety of reasons, none of them related to his music, most of them leading to unfortunate public judgements. His band’s new album makes their name Public Image Ltd a handy reminder, as it serves up a take on society more in tune with their past work than the expected yelling-at-clouds. Elsewhere! To the listeners voicing strong opinions about the adorably shrill kids’ story that ran at the top of The Final Hour — your comments were passed on to Management and that short chunk of audio root canal is gone. Well done!