Mixtape 152 • The Power of the One
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.

They hit hard and they hit fast, with half of the songs here clocking in at two minutes or less, but they also hit sweet, with layers of boy-girl harmonies and drizzles of horn section.
To make illuminati hotties for your gathering, splash melody and harsh noise into a tumbler, drop in some production trickery, and shake until you hear a dizzying howl emerge
Hissing steam and spitting fire, the Old 97s chew up the rails and cross-ties by playing country music with a punk attitude.

The haberdasher heard a light thump and roll, then felt something tap against a shoe. It was a peach pit. Looking up from the stack of brochures, they saw the orthodontist grinning and wiping their mouth with a sleeve, glancing at the gap on the blanket where the fruit was drying in the sun, clearly suggesting that perhaps another one was in order. The tandem moped leaned against the back of the Gate of Hercules, shielded by its bulk from the bright Croatian summer sun. The peaches had hours to go, and they had forgotten to bring a game., having only whatever reading material they had managed to scrape up in the Hotel Pula lobby.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.

The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.

Would the tour of palaces never end? Having visited several monarchical residences, the cobbler had become habitually underwhelmed with the perpetual ostentation. Taking a seat at a padded bench to admire the mosaics of Dar al-Makhzen, the topologist hummed a Balkan square-dancing melody. The ancient Land Cruiser that had brought them here, well-cared for and highly-modified, sat in a modern parking lot that clashed with the surrounding Moroccan geometry. They pretended to take some selfies while monitoring the 360° camera feed coming from the vehicle.

It’s all about the Benjamins, or more like the Hamiltons and Jacksons as we play music to encourage our listeners to become funding members of KAFM. We make no attempt to be subtle here.