Mixtape 130 • Cowboy
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
Covering the Beach Boys’ mythical album Smile from start to finish is not an original idea, but Joesph’s take on the matter is filled to the brim with inventive perspectives on a lost classic.
Go ahead and call your band Great Grandpa. You better have something pretty weird up your sleeve.
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
M. Ward could get by on his smoky velvet voice alone, but he also happens to be a supreme connoisseur of what alert musicians call songcraft.
The composer stood over the gunwale, pressed the small button, and blew into the instrument, discharging the contents into the dark green waters below. If they had known it was going to be this type of floating market, they would have picked a different watercraft. This explained the unprecedented difficulties when trying to secure their transportation with the Colombo office. The ichthyologist indicated one of the floating structures, and began maneuvering their craft towards it. The composer took a breath and the signal, a brief segment of “Message To You Rudy”, went out from the melodica.
The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.
The Musée National stood like a squat block, facing the highway at an angle and mirrored to the left by the library. The hu hu sat inside, waiting in the wing housing the musical instrument collection. The surgeon nervously handled the endoscope case, dusty from the helicopter ride that had brought them to N’Djamena. The calligrapher was clearly nervous but their services would only be required for brief minutes while they inspected the inscription on the inside of the ancient calabash.