Mixtape 177 • Buy My Product
I know that Water From Your Eyes is a reference I can look up in a second these days, but I am going to refuse to do so to leave the magic untainted.
I know that Water From Your Eyes is a reference I can look up in a second these days, but I am going to refuse to do so to leave the magic untainted.
“You missed the white crocodile,” the chipa vendor told them. The mycologist and the munitions expert gave the expected sounds of disappointment, the same as any tourist drawn to Paraguay’s Ojo de Mar would. One of them spread a blanket by the lake side while the other one got busy with entering the passcodes and unlatching the efficient-looking metal case they had extracted from the moped. Opening it once the blanket was ready, they began taking out the 3D-printed pieces from the foam molding with quick, efficient movements as the Easy Star All-Stars blared out a David Bowie song from the vendor’s portable radio.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
Double Date With Death are loud and Canadian, and they don’t care if you don’t understand their French howling. They have a double date to get to.
The catamarine knifed silently upstream, its passage discernible only as a faint twin wake on the surface of the river. Up ahead, the sonar array was already picking up the turbulence from the Mbocaruzú falls, the staccato warning pings slicing neatly between the Mozambique big-band swing being piped into the earpieces. In their individual pods, the cartographer and the miner reviewed their maps, surveys, and orders. Up ahead, behind the rushing down-flow of the water and completely out of sight, a set of steel doors silently opened and awaited the pair’s arrival.
The archivist’s breath misted in the freezing vault as gloved hands lifted the metal canister off the shelf. Getting to Greenland had not been trivial, driving the snowcats to Nuuk undetected had been a challenge, and breaking into the Katuaq Cultural Centre’s secret collection room, dug out of the permafrost, could be described as difficult. Now, locating the footage was close to impossible, given the hundreds of linear meters of shelving that were visible. The producer unspooled the first few feet off the reel, peering up through the film to the overhead light. The muffled sound of Persian hip-hop could be heard from the theater above. Maybe it was not so impossible.
Strutting around in Seventies duds, these songs get to the heart of the matter in 9 mile-per-gallon, leaded-gas-only style.
It was a cold night, but things were kept warm by a steady influx of Latin-tinged music and of course, Millie Small’s delightful warble.
A modern amalgam of fuzz, psychedelia, baroque pop, and over-the-top production, filled with hooks baited with earworms.