Mixtape 101 • Goin' Out West
The Woolly Bushmen may look young, but they sound like a rusted IROC Camaro with a busted manifold roaring out of the 7-11 parking lot.
The Woolly Bushmen may look young, but they sound like a rusted IROC Camaro with a busted manifold roaring out of the 7-11 parking lot.
The Musée National stood like a squat block, facing the highway at an angle and mirrored to the left by the library. The hu hu sat inside, waiting in the wing housing the musical instrument collection. The surgeon nervously handled the endoscope case, dusty from the helicopter ride that had brought them to N’Djamena. The calligrapher was clearly nervous but their services would only be required for brief minutes while they inspected the inscription on the inside of the ancient calabash.
The landtrain rumbled over something bumpy. Probably a hill, thought the conductor, as they made their way down the gently swaying aisle, digital holepuncher out, ready to process the ticket. The passenger, sole occupant of the car, sat oblivious, staring out the window at the landscape rushing twenty feet below, the faint sounds of some Slovakian cumbia leaking out of the expensive earbuds. “Ticket please?” The passenger startled, and reached for the sleek titanium briefcase, its embedded digital timer declaring to everyone that it held no ordinary cargo.