Tag: Starlight Mints

We can’t say which alternate timeline Art D’Ecco came from, but we are grateful and hope they don’t miss them too dearly.

No doubt about it, The Vandals are the masters of the punk rock rug pull. In this particular instance, what starts out as a merely updated take on the Grease classic suddenly devolves into hyperkinetic chaos. No matter. The show proceeds! New releases are starting again, and the year is off to a strong start.

I have no doubt Jeff Rosenstock knows where to get the best pizza in town.

Firing things up near the top of tonight’s Mixtape are The Hives and the precision attack of “Rigor Mortis Radio,” from their recent return to affairs of sound. Also, what do you know… another fine Fugazi cover to open tonight’s mixtape, this one the chromatic riffing of “Merchandise” as interpreted by Sounds Of Swami. Elsewhere tonight, a shout-out to Chuck Dinkins for introducing me to Tupelo Chain Sex.

The new album from Jen Cloher is magnificent, and when her Twitter account favorited the playlist entry for the lead track tonight, I near swooned. I recommend you listen to I Am The River, The River Is Me from start to finish, and enjoy something you’ll be doing for years to come for the first time. In other news, our recently adopted cat Princess Otoboke Beaver (aka Pris) gave birth to four healthy kittens on St. Patrick’s day — Ziggy, Stardust, Spider, and Mars.

Dating back to a time before the whole phrase was unceremoniously truncated to “chillax”, Serge Gainsbourg’s imploration to enhance your mood is given a frantic workout by Stereo Total and in this case, their toy electronic noisemakers are a welcome homage. Elsewhere this show, we have Carl King’s prog-rock-and-glockenspiel interpretation of Rebecca Black’s infamous “Friday” … and it’s quite the improvement.

Coming straight outta Dublin, Fontaines DC have an insistent and incisive sound that carves anthems out of marble using only guitar strings and a chiseling voice. No particular theme seems to emerge tonight, although we will be closing with Angel Olsen’s “Go Home.” Go home, it’s midnight.

When I was younger, still developing my musical tastes, in an era where the Beatles were closer to those days than Nirvana are to these, I hated on Yoko. It's what we all did. The older me, like Stephin Merritt and the many other luminaries on Ocean Child: Songs of Yoko Ono, appreciates the inexpressible beauty and uncompromising nature of her art.

If the name didn't give it away, there is a very distinct beach slash surf feeling to San Diego's Wavves and their sun-glittered sounds.

The luthier adjusted the direction control of the four-legged arachnoform lumbering above the forest of Oro Bay. The spherical contraption had been difficult at first, but proved to be intuitive in guiding the transport’s spindly hissing legs across the varied terrain. Behind the padded seat, the cartographer consulted screens and printouts. The purple spruce should be visible soon. A single trunk would yield over a hundred cello bows, worth millions in the underground market. They were there to make sure it remained just another tree.