Mixtape 102 • Drama King
As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.
As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.
The Woolly Bushmen may look young, but they sound like a rusted IROC Camaro with a busted manifold roaring out of the 7-11 parking lot.
Once above the canopy, it was impossible to see the green-winged hang-gliders that the archeologist and the mercenary had used to enter the Antananarivo bird sanctuary. Going through Customs had been dicey, the parts for the flying machines had been dispersed with various kinds of unassembled patio furniture, but the quality of the materials still stood out. Fortunately, the mercenary had brought up the Madagascar goth metal scene and distracted the functionaries into stamping passports and waving them through. They hadn’t even asked about the Geiger counter.
The archivist’s breath misted in the freezing vault as gloved hands lifted the metal canister off the shelf. Getting to Greenland had not been trivial, driving the snowcats to Nuuk undetected had been a challenge, and breaking into the Katuaq Cultural Centre’s secret collection room, dug out of the permafrost, could be described as difficult. Now, locating the footage was close to impossible, given the hundreds of linear meters of shelving that were visible. The producer unspooled the first few feet off the reel, peering up through the film to the overhead light. The muffled sound of Persian hip-hop could be heard from the theater above. Maybe it was not so impossible.
The earth rumbled into an appropriate angle of repose as the bucket wheel ground to a halt. On the ground, the sapper raised an arm to signal to the operator, sitting high above in an air-conditioned cab as disproportionately tiny as a brontosaurus brain. The sounds of Taiwanese ragtime could be heard on the earpiece now that the excavator had stopped digging into the hard Upper Peninsula soil. This machine was capable of extracting tons of copper ore in a single hour, but now it was digging for something far more valuable.
The pilot felt the glider’s control surfaces bite into the updraft. The craft smoothly pitched up and right as the surreal Eastern Washington terrain unfolded beneath them. The plucky strains of a Bolivian polka filled the small cockpit, the whistling of the wind no true competition. Facing backward, the specialist peered at the techmapper. Somewhere below, there was something messing with the surveillance satellite and downing any powered aircraft that dared approach. Up ahead, the clouds were bunched up in a way any seasoned traveler of the skies could tell was just. not. right.
Sparkling gems, with great ‘70s AM radio hooks and harmonies and incredibly detailed production.