Mixtape 227 • Where To?
Ghost Funk Orchestra provides the soundtrack for all your paranormal festivities.
Ghost Funk Orchestra provides the soundtrack for all your paranormal festivities.
A very quiet night, perhaps everyone is hunkering down for the leap day. Featured is IDLES, who all look like they could recommend a good IPA, and also would be willing to kick my ass for thinking so. Tonight featured more than our usual ration of covers, starting with a not-unlikely take on Beck’s “Loser” and following up with takes on tracks originally made famous by Muppets and Devo.
The Psychedelic Porn Crumpets would like to welcome you aboard and advise you to buckle in tight.
DJ Shadow, master of spin and finesse of fader, hits hard and in the nick of time.
I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.
Let’s face it, we’re going to be hearing tracks from The Bug Club for a couple months, since I keep finding gems strewn loosely about their most recent album. Lots of listeners checked in for this show, my apologies to those that checked out during the elevator hellride at the beginning of the show. Technical issues, we’re working on them.
Maybe it’s the lackadaisical groove she can effortlessly establish, or her warm confident voice, but listening to Madison Cunningham is like sinking into the sofa for a new episode of your favorite show, a general feeling of ease, comfort, and complete enjoyment. Also, maybe you thought you heard a dirty word during “Tounge-Clucking Grammarian”, but you didn’t — let’s face, there’s a lot of rhymes for “clucking” that could register a false positive.
It’s been about six months since the previous compliation of music that was played on the 11pm-midnight section of the Mixtape — the late-night temporal space that receives music that is strange, harsh, and/or repetitive that is known as The Final Hour. This is the second anthology from this pool of music, presented through the entirety of tonight’s Mixtape to allow those whose schedule leans towards the earlier hours a chance to experience. Hark!
Sometimes it takes a while for an album to be recognized as a classic, sometimes the shock of recognition is instant and universal. This is the case for Spoon and their latest release, Lucifer on the Sofa, which showcases much of what has made the band a constant source of solid material, but in a concentrated way that will make you start all over as soon as you hit the end.
The mason laid a bare hand on the stone block. It was nearly three hours since the sun had set, yet the western-facing brick, part of the multitudinous grid that made up Port Blair’s Cellular Jail, still retained a significant amount of heat. The cryptographer glanced back at the yelp of surprise, but continued scraping a sample into a container with a microchip at its bottom using a dental tool, humming along with Caribbean tango audible in the distance. They were supposed to meet the man with the elephant down at the beach in only forty-seven minutes. It was still unclear why the plan called for such a journey as part of their extraction to Viper Island.