YACHT dropped out of sight right before the whole "yacht rock" revival thing happened, but this release reinforces the band's penchant for commenting on current themes with the musical equivalent of wearing sunglasses inside the nightclub.
Every six years or so, Valentine’s Day lands on a Tuesday, and it’s a grand excuse to update and refine the Fight Night playlist, featuring two hours of music about verbal, physical, and emotional aggression. Why go the opposite way? I’m sure those with dates have better things to do than listen to the radio, and those without might appreciate the theme. Tonight’s Final Hour is a replay of tracks from another Final Hour from about a year ago, with all-new live commentary from yours truly.
Tonight’s show started off with Picture Book, a one-hour mixtape of songs dedicated to the captured image, whether it be a personal snapshot or an exotic postcard. The rest of the night was the usual Mixtape territory, closing out with my latest inexplicable favorite, International Sangman.
Glittery pop vocals fronting a relentless barrage of digital soundbites, shy loops emerging from behind percussive blasts as guitars interrupt with fuzzed yelps or delicate strums… it’s a little bit of everything, and sometimes just enough.
There was no official name for this giant hole, this cavern that truly made you realize the proper utilization of the word “cavernous”. Those who knew of its existence referred to it as the “Sarlacc Pit”, while the geologists debated what to call this previously unseen feature in the farthest reaches of British Columbia. The ophthalmologist could not help but recount these facts as they descended into its depths; they were the chatty sort and had barely endured a few hours of self-reflection in the noisy Chinook that had brought the expedition here. The conductor whistled a short melody and listened for the glorious reverberation. The nearest person who could recognize its Peruvian punk origins was 2,524 miles away.
The landtrain rumbled over something bumpy. Probably a hill, thought the conductor, as they made their way down the gently swaying aisle, digital holepuncher out, ready to process the ticket. The passenger, sole occupant of the car, sat oblivious, staring out the window at the landscape rushing twenty feet below, the faint sounds of some Slovakian cumbia leaking out of the expensive earbuds. “Ticket please?” The passenger startled, and reached for the sleek titanium briefcase, its embedded digital timer declaring to everyone that it held no ordinary cargo.
It was a quiet night. Somehow, three songs with states in the title ended up in the second hour, so I bumped them all to the top for a mini-tour.
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