Tag: Juana Molina

Barry Adamson delivers soundtracks to cinematic masterpieces that don’t exist.

We’re starting out with new music from Beatsteaks, who are taking on the Fun Boy Three’s “The Lunatics (Have Taken Over The Asylum)” for our opener. Tonight’s show featured both Molecular Steve and Delicate Steve, both of whom have new albums out, so I expect another couple of Steve-heavy shows in the future.

Every so often, I’ll gather up some of my favorite tracks from the last sixty minutes of my three-hour radio show and create an entire episode of The Final Hour, this one being the third such installment. This is the music that is played between 11pm and midnight, and it’s generally darker, more instrumental, sometimes even experimental, and this is an opportunity for the chronologically challenged to experience some of that closer to their regular waking hours.

Mimi Parker, vocalist and drummer and half of the Minnesota band Low, passed away a couple of weeks ago while I was traveling. It’s a shocking loss and an abrupt end to a musical career that was still unfolding; the band’s last two albums, coming at the tail end of a discography that spans decades, showed a blossoming new direction for an act that was famed for their quiet and glacial approach. We open the show with Low’s rendition of a Bee Gees classic in tribute.

I will let you in on a secret weakness: a band like The Rare Occasions can seize control of my playlist just by showing up with a surplus of pop hooks and grade AAA harmonies.

Go ahead and call your band Great Grandpa. You better have something pretty weird up your sleeve.

The composer stood over the gunwale, pressed the small button, and blew into the instrument, discharging the contents into the dark green waters below. If they had known it was going to be this type of floating market, they would have picked a different watercraft. This explained the unprecedented difficulties when trying to secure their transportation with the Colombo office. The ichthyologist indicated one of the floating structures, and began maneuvering their craft towards it. The composer took a breath and the signal, a brief segment of “Message To You Rudy”, went out from the melodica.

The parade stretched through the downtown area, its colorful participants a completely normal distribution of small-town denizens. The statistician knew otherwise. They stood waving from the platform of the float, their flysuits carefully integrated with the diorama to give the appearance of animated mechanical humans. All they needed to do was get within twenty feet of The Mayor, and the technology built into the platform would do the rest. The imagineer adjusted the EQ on the float’s sound system, giving the Estonian techno which poured from the speakers more high-end sparkle. The crowd reacted favorably, some of them breaking out into dance.

The mechanic reached deep into the tool bag, knowing the required spanner would be at the very bottom. The clanking briefly drowned out the strains from the radio, its signal relayed every 500 meters by the commpods they had dropped on the way. Carefully fitting the business end of the tool between the rear set of treads on the boring machine, they found themselves exclaiming out loud “actually, I think it’s pretty interesting.” The surveyor, measuring the long tunnel behind them with an x-ray transit, looked back briefly, by now used to such outbursts. The cavern should be another two miles down.

The engineer looked through the diminishing dawn murk and spotted the specialist’s orange scarf. The sound of the balloon-tired swamp bikes spread through the Estonian bog like hot molasses, obscuring their location but not their presence. Unnoticed in the bike’s twin V mud-wakes, a nearly-vertical black snorkel tube trailed the pair.