Tag: Barcelona

Crowded House brings us some of that uniquely shaped New Zealand sonic architecture.

It doesn’t get more mid-century Goth than The Raveonettes picking up on the Velvet Underground’s “Venus In Furs”. Besides that, the tenor of the night tended to lean towards the acoustic, with a handful of sets exploring the pluckier side of things.

Every six years or so, Valentine’s Day lands on a Tuesday, and it’s a grand excuse to update and refine the Fight Night playlist, featuring two hours of music about verbal, physical, and emotional aggression. Why go the opposite way? I’m sure those with dates have better things to do than listen to the radio, and those without might appreciate the theme. Tonight’s Final Hour is a replay of tracks from another Final Hour from about a year ago, with all-new live commentary from yours truly.

As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.

The Musée National stood like a squat block, facing the highway at an angle and mirrored to the left by the library. The hu hu sat inside, waiting in the wing housing the musical instrument collection. The surgeon nervously handled the endoscope case, dusty from the helicopter ride that had brought them to N’Djamena. The calligrapher was clearly nervous but their services would only be required for brief minutes while they inspected the inscription on the inside of the ancient calabash.

“Did you say you wanted FIVE?” asked the turkey-leg vendor, his incredulity betraying the slightest bit of Norwegian accent. The crowds at the Trondenes Middle Ages Visitor Park thronged past as the young man counted the hands available to the pair before him, performed a simple matching algorithm to the five turkey-legs being requested, and came up with a non-computing value. “We’re hungry,” offered the machinist helpfully. The gymnast kept an eye out for Sverre the allodialist. They needed to have a few words with him about the land titles, preferably in the privacy of the sleek three-man catamaran that had discretely brought them here. The half-darkening of the sky that passed for night at these latitudes meant the usual tactics were out and they would have to convince him to come willingly.

The cryptographer tried to once again estimate the circumference of the lighthouse, asking the question aloud and then naming best guesses. The compulsion to know these geometric factors was strong. The agronomist successfully prevented their eyes from rolling. The history of this place was more interesting, having provided a high point from which to shine a light for centuries, currently for Estonia but briefly for the Kingdom of Torgu. That last bit of trivia was relevant because they were here to meet with the self-appointed Official Court Jester, who had requested they journey to this location on a rented tandem bicycle. They had also requested ice cream, “any color except white.” It waited in a cooler strapped to the bicycle’s ample frame.

The mechanical harvestman towered over the fig grove, its spindly arms tucked underneath as it towered over the fruit trees. The cryptobotanist aimed the infrared reader at the edge of the cultivated land, where the real Bhutan took over, hoping for even a quick glimpse. The landscape gave nothing in return. The operator’s headphones leaked the sound of some Turkish reggae, bounced from a satellite to overcome the foreboding mountains that ringed the valley. They both had patience to spare. The beast they were seeking had only one food source, located right here, and everyone’s gotta eat.

I really love Khruangbin, despite the pronounciation quandary they plunge me into whenever I play one of their songs.

They're all over the place, but that's what I like about Post Animal. "Dirtpicker" owes much to the Jesus Lizard, especially in its title.