Mixtape 254 :: Please Don’t Call On Me
Barry Adamson delivers soundtracks to cinematic masterpieces that don’t exist.
Barry Adamson delivers soundtracks to cinematic masterpieces that don’t exist.
It doesn’t get more mid-century Goth than The Raveonettes picking up on the Velvet Underground’s “Venus In Furs”. Besides that, the tenor of the night tended to lean towards the acoustic, with a handful of sets exploring the pluckier side of things.
Among the lockdown detritus of 2020 is this gem showing the introspective jazzy musings of one of the most important dub and post-punk bassists of the last 40 years.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
The pediatrician scrambled on hands and knees after the rubber ball. It deflected off the base of the Monument to Fuel Tanker, his imperturbable brass cheer completely unaffected by the collision. The interlocutor looked around surreptitiously. Their aim was to provide some normalcy to the fact that two people were hanging out near one of the lowest-ranked attractions in Grodno while the sophisticated electronics built into their footwear communicated with the satellite and sorted out the problem with the statue. But maybe this game of jacks had not been the best idea for cover.