Mixtape 232 :: Move
Sometimes, you’re in the mood for something unrelenting and obsessive, and Meatbodies has what you need.
Sometimes, you’re in the mood for something unrelenting and obsessive, and Meatbodies has what you need.
A flamboyant tip of the hat to Charley, who shared Being Dead with me only recently. I am smitten and kicking myself for missing their debut album’s release last summer, but I am fiercely making up for lost time. This evening’s Velvet Potty Mouth award goes to STRFKR, whose distinctive FUCK sat like a rock in a river of glitter and was carefully edited out for the Grand Valley’s sensitive ears.
The music Clark makes is suitable for rage cleaning and nighttime neon drives.
It’s been a while since something has made me sit down and listen like the North Americans’ steel-string ambient flow.
I am proud to bring you KNOWER, despite the fact that I constantly stumble over how to announce the name of the band, trying to tease out the magical diphtong that distinguishes it from “nowhere” to the listener. I love them so much I will even respect their penchant to spell their name in all-caps. Led by Louis Cole and Genevieve Artadi and often spiced with cameos, their take on modern jazz funk / funk jazz is always on tap to fix a day going wrong.
I can’t say if this is the first time I’ve had a radio show on Independence Day, but it is the first time I’ve prepared something special for the occasion. Presenting Affairs of State, a one-hour set of music dedicated to the States part of “United States of America.” As it turns out, there is a wide representation among the 50 states (51 if you count New Model Army) in the Lacking Library, but I have selected the best 16 examples for this evening.
The mysterious Snapped Ankles are descended from the forest people, though it seems they took a detour through some harsh industrial spaces to bring their stuttering electro-strangulation to our ears.
The first time you hear Courtney Barnett taking on the Velvet Underground's "I'll Be Your Mirror," what you get is an electrifying shock of recognition: you know that distinctive voice, you know that timeless melody, but what you're hearing is completely new. I must add that there's a VU tribute album every few years, and even the worst of them can be decent, supported by the strength of the songs, but this one (also titled I'll Be Your Mirror) is exceptionally good.
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
Go ahead and call your band Great Grandpa. You better have something pretty weird up your sleeve.