Mixtape 250 :: Poppies
Like light glinting off a distant wave, La Luz bring you a realm of possibilities.
Like light glinting off a distant wave, La Luz bring you a realm of possibilities.
We’re starting out with new music from Beatsteaks, who are taking on the Fun Boy Three’s “The Lunatics (Have Taken Over The Asylum)” for our opener. Tonight’s show featured both Molecular Steve and Delicate Steve, both of whom have new albums out, so I expect another couple of Steve-heavy shows in the future.
The accordionist’s boot was tangled in a mangrove root. The deepening dusk of Meads Bay Pond brought with it a soft breeze and an ugly threat of bug swarms. Their chances of getting to the beach and capturing enough glowing sugar crabs were dwindling. The roots, more like underwater dreadlocks, heaved as the booted foot attempted to twist out, the accordion case held high as counterbalance. The technician glared at the spectacle briefly before shining a light on the clipboard. In the distance, a barbershop quartet with a Tuvan throat-singing baritone made it incongruous presence known. The keys to the long-range waterbikes had a floaty thing on them, but they were permanently attached to the metal clipboard, which would sink like a stone. The Governor’s Office back in The Valley would certainly hear about this.
There was no official name for this giant hole, this cavern that truly made you realize the proper utilization of the word “cavernous”. Those who knew of its existence referred to it as the “Sarlacc Pit”, while the geologists debated what to call this previously unseen feature in the farthest reaches of British Columbia. The ophthalmologist could not help but recount these facts as they descended into its depths; they were the chatty sort and had barely endured a few hours of self-reflection in the noisy Chinook that had brought the expedition here. The conductor whistled a short melody and listened for the glorious reverberation. The nearest person who could recognize its Peruvian punk origins was 2,524 miles away.
The clown kings of LA punk are back with their (so-far) commercially-unviable yet overwhelmingly fulfilling mix of bad attitude and party rock.
The driver felt the leads tremble under their hands. The navigator clung resolutely to the sled, keeping an eye on the white horizon of the Wexford hills as they put some miles between themselves and the Monongahela. The only sound besides the rushing skids on the snow and the panting of the dogs was a faint crackle of song leaking from the driver’s earpiece. The heist had been a success; behind them, a net filled with silver Mylar balloons trailed and bobbed in the generated midnight wind.
The thin Nebraska ice crackled ominously as one of the occupants of the well-appointed tent leaned back on their recliner. They peered at their line, descending into the near-freezing water and vibrating sympathetically to the sounds of the radio. The other ice-fisher threw a log on the fire, pausing in recognition at the song before smiling and turning it up.