Tag: Atom™

If you enjoy your cumbia abstracted and your merengue chopped to pieces, Los Pirañas have a dish for you.

Enjoy a small slice of tragic beauty in the form of Nell Smith, whose musical instincts reach well beyond her perpetually young voice. Tonight I had to park down the block, as The Sauce Boss was visiting the Radio Room all the way from my old Florida stomping grounds.

Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.

Barry Adamson delivers soundtracks to cinematic masterpieces that don’t exist.

We’re starting out with new music from Beatsteaks, who are taking on the Fun Boy Three’s “The Lunatics (Have Taken Over The Asylum)” for our opener. Tonight’s show featured both Molecular Steve and Delicate Steve, both of whom have new albums out, so I expect another couple of Steve-heavy shows in the future.

Trademarking the most elemental of particles is a bold move, but a fitting one for Atom™.

Tonight’s show kicks off with a long overdue hour of Version Control 10 — our special blend of songs that you might call “covers”. About a year ago, I filled three hours with covers, which leads me to believe something is messing with the covers ecosystem, and I have my theories. The middle hour was a regular Mixtape (if such a thing can be allowed), and the Final Hour was its usual rocketride mindtrip, a big thank you to all that came aboard.

I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.

I’ve done a couple dozen all-covers shows already, usually during fundraising, but for some reason have never come up with a name for them. It must have been because the painfully obvious Version Control hadn’t occurred to me yet, a real embarrassing confession given my day job in the realm of code. At any rate, it is here, and we are going to be versioning them semantically starting now.

The three-hour live shows have settled into their own rhythm, with the stranger and more electronic offerings drifting into the territory of The Final Hour, between 11pm and midnight. This show is for the early risers who might be familiar with the upbeat indie pop that gets played at the top of the show but are missing out on the darker moods that are featured near the end.