Tag: The Mommyheads

The Mommyheads brighten the place with their craft and erudition.

For whatever reason, listening to The Go! Team makes me think of the kindergarten rave scene, something which doesn’t actually exist but that would heavily feature this music if it did. Elsewhere tonight, we trial a new more organized format for conveying the Lacking Information, such as this website and the Mixtapes produced by the org, into the radio play-by-play.

Matt Berry has a little surprise for you, but first you have to slip into something groovy.

White Denim, part of the eminently surfable wave of psychedelia we’ve enjoyed this past decade, finds it easy to freely pummel you with some of the most massive riffs you’ll encounter on this side of the water’s surface. Shout out to our caller who could possibly be Murrdawg on alternate Sundays here on KAFM. Check out their show!

The Streets are not your typical old-fashioned new-fangled crew.

The Mommyheads would like to know if you are OK, like really OK and not just saying that.

Tonight’s show kicks off with a long overdue hour of Version Control 10 — our special blend of songs that you might call “covers”. About a year ago, I filled three hours with covers, which leads me to believe something is messing with the covers ecosystem, and I have my theories. The middle hour was a regular Mixtape (if such a thing can be allowed), and the Final Hour was its usual rocketride mindtrip, a big thank you to all that came aboard.

I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.

Shane McGowan was a true Irish poet, and although Cat Power delivers the classic track from the Pogues in a voice very different from the original whiskey-and-gravel, the song's deep inner character is unchanged.

You might think Juanes is some sort of reference to a collective of people named Juan, but it is actually a single Juan, more accurately a Colombian named Juan Esteban Aristizábal Vásquez. Here he is singing along to Elvis Costello and the Attractions as part of the fascinating Spanish Model project.