Mixtape 232 • Move
Sometimes, you’re in the mood for something unrelenting and obsessive, and Meatbodies has what you need.
Sometimes, you’re in the mood for something unrelenting and obsessive, and Meatbodies has what you need.
Every so often, I’ll gather up some of my favorite tracks from the last sixty minutes of my three-hour radio show and create an entire episode of The Final Hour, this one being the third such installment. This is the music that is played between 11pm and midnight, and it’s generally darker, more instrumental, sometimes even experimental, and this is an opportunity for the chronologically challenged to experience some of that closer to their regular waking hours.
It’s a bitterly cold night, though the thermometer is not the lowest it’s been this winter. Warming things up is King Tuff, whose twisted bedroom psychedelia is heating up my house in the manner of an unexpected early spring. It’s a strong start for an extended set of sounds simultaneously catchy and powerful. Technical note: The Mixtape sounds best when recorded on TDK SA90 cassettes. Do not attempt to do this on Maxell XLIIs.
It’s a formula as old as time — take four Japanese ladies, dress them up in color-coordinated dresses and makeup, and have them play aggressive earworms featuring kawaii harmonies and the lethal precision of a veteran death metal band. And yet somehow Otoboke Beaver rise above the rest of the entrants in this crowded field. Who am I kidding, they are one of a kind, and if you’re not listening to their latest album on repeat, you are missing out on a lot of endorphins.