Mixtape 257 • Can’t Be Still
Get your fix of tremendous pop electricity out of the illuminati hotties outlet.
Get your fix of tremendous pop electricity out of the illuminati hotties outlet.
Some of us are lucky. Some of us get to sit in a comfortable broadcasting studio and play Orville Peck, while others are hacking their way through a couple of gloomstalkers with nothing but the barely-magical weaponry a fifth-level figher can afford.
Leyla McCalla’s music opens up a portal into a universe of previously impossible musical geometries.
I’ve been noticing a dry spell on covers making it onto the show, but that was busted tonight with an inordinate (and quite varied) set of songs, starting with Robyn Hitchcock’s take on the Small Faces’ “Itchycoo Park.” He’s got an album of mostly covers, specifically from the year 1967, on the way, and this single is blazing the way. Also covered tonight: David Bowie, Dire Straits, Duke Ellington, Daniel Johnston, and the Bar-Kays.
I am convinced that today’s Canada is much better at this jangly indie pop thing than the US ever was at the height of alternative music. This Toronto outfit will pull you out of your deep American misery faster than any prescription medication.
Hailing from the southwest of France, The Llamps build on a sound that's equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.
The Scientists have been conducting their Australian experiments in proto-punk for over four decades now, and it's surprising that they've yet to publish in a peer-reviewed journal.
Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.
I will let you in on a secret weakness: a band like The Rare Occasions can seize control of my playlist just by showing up with a surplus of pop hooks and grade AAA harmonies.
If you are of a certain age and exposure to the MTV, you would think that people in Tijuana eat barbecued iguana, but that was just Stan Ridgway and Wall of Voodoo reaching for a cheap rhyme. Polvo takes the song's nervous energy and turns it up a few notches.