
Juliana Hatfield • Blood
Hatfield’s relentless output is given some inventive production, and I have to pause to carefully listen. There’s a lot to unpack, sonically and lyrically, and it refuses to fade into the background.

Hatfield’s relentless output is given some inventive production, and I have to pause to carefully listen. There’s a lot to unpack, sonically and lyrically, and it refuses to fade into the background.


There are voices so distinctive that their timbre is an instrument onto itself. This is the case with Josh Caterer, who was first heard singing for a band called The Smoking Popes. He has a wildly diverse solo career now, but tonight we play his reworked version of a Popes song.
Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
Habibi is what happens when you spill solvent on the psychedelic garage / surf music / girl groups section of your record collection.

The pediatrician scrambled on hands and knees after the rubber ball. It deflected off the base of the Monument to Fuel Tanker, his imperturbable brass cheer completely unaffected by the collision. The interlocutor looked around surreptitiously. Their aim was to provide some normalcy to the fact that two people were hanging out near one of the lowest-ranked attractions in Grodno while the sophisticated electronics built into their footwear communicated with the satellite and sorted out the problem with the statue. But maybe this game of jacks had not been the best idea for cover.

The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.

The pair powered down the sand-skis as they approached the slight concavity in the beach that had been described by the vendor in the spice market. The cliffs of Levera National Park did not seem to be an ideal place for smugglers to congregate, but the actuary would be the first to admit they did not know the first thing about smugglers and their habits of congregation. The blacksmith was better versed in these things, and they didn’t seem to be bothered by where the assignment was taking them. As the morning fog absorbed the last echoes of the recently-killed engines, they marveled at the conical shape of Sugar Loaf rising above the azure Caribbean water.

The source material is brilliant, but the interpretations are so uneven that it’s more like “Juliana Hatfield’s Wax Museum of Songs by The Police”.