Mixtape 272 • Version Control 4
The fourth aggregation of musical replicas and facsimiles!
The fourth aggregation of musical replicas and facsimiles!
Is it the analog synthesizer flourishes, or the gentle delivery with an aggressive intent, or the seamless shuttling between disparate elements that shouldn't work together? The band sounds perfectly familiar, yet completely its own thing.
Crowded House brings us some of that uniquely shaped New Zealand sonic architecture.
It doesn’t get more mid-century Goth than The Raveonettes picking up on the Velvet Underground’s “Venus In Furs”. Besides that, the tenor of the night tended to lean towards the acoustic, with a handful of sets exploring the pluckier side of things.
Presenting a collection of musical flatteries and facsimiles!
From the benthic depths, Ozric Tentacles rules their empire of resinous drone.
I believe this is the first time we’ve hit four exclamation marks for a playlist’s name, courtesy of Australia’s Psychedelic Porn Crumpets and their very doge-titled track. Elsewhere tonight, a special themed segment that attests to the powers of random selection!
Andrew Bird always manages to fulfill that craving for pizzicato minimalism.
Bo Diddley may have written tonight’s opening cover, and Spoon may be the one actually performing it, but the spirit of Billy Childish, whose version earworms its way through my head every year or so, is quite strong on the shambling, end-of-the-rehearsal vibe heard here. To the listeners voicing strong opinions about the adorably shrill kids’ story that runs at the top of The Final Hour — your notes have been passed on to Management.
Orange Drink can be sweet, it can be tart, and sometimes it will even remind you of citrus.