Maybe it’s the lackadaisical groove she can effortlessly establish, or her warm confident voice, but listening to Madison Cunningham is like sinking into the sofa for a new episode of your favorite show, a general feeling of ease, comfort, and complete enjoyment. Also, maybe you thought you heard a dirty word during “Tounge-Clucking Grammarian”, but you didn’t — let’s face, there’s a lot of rhymes for “clucking” that could register a false positive.
The effervescent jangle of German trio A Tale of Golden Keys is intricately engineered to make your ears ask “what was that?”
The mechanic reached deep into the tool bag, knowing the required spanner would be at the very bottom. The clanking briefly drowned out the strains from the radio, its signal relayed every 500 meters by the commpods they had dropped on the way. Carefully fitting the business end of the tool between the rear set of treads on the boring machine, they found themselves exclaiming out loud “actually, I think it’s pretty interesting.” The surveyor, measuring the long tunnel behind them with an x-ray transit, looked back briefly, by now used to such outbursts. The cavern should be another two miles down.
The specialist carefully manipulated the waldoes linked to the robotic arms in the front of the submersible. The pilot peered out of the top dome, the glare of the spotlights illuminating the complex structure of the oil rig but the visibility of this part of the Gulf of Mexico not allowing much to be seen past the first couple tangles of girders. A single wire tethered the craft to the surface, its sole purpose safely delivering the radio signal carrying its obscure music and coded instructions past fathoms of seawater. The robot arms clasped the watertight bale of Oaxacan tamales tightly. The mission was only half over.
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