Mixtape 239 :: Double Negative
Omni unites their sound with the thinnest of guitar strings and rhythms of utmost precision.
Omni unites their sound with the thinnest of guitar strings and rhythms of utmost precision.
It was a globe-spanning show, with listeners checking in from the Grand Valley, the Florida swamps, and as far as Japan, where it was already Wednesday lunchtime. Meanwhile, The Libertines are up to their old antics again, at least the ones where they sound like a recently unfrozen cadre of British Invasion troglodytes. Also fun: playing a track called “We Will Not Apologize” and following that up with “Stop Apologizing”. Sounds about right.
As it happens, if yours truly has a Valentine’s gig, it’ll be followed by one on Pi Day. Except on leap years. But the point here is that I thought about doing a show themed on circles, spheres, and other such expressions of the number and decided against it, but keep your ears peeled for some future incarnation of a “Round and Round” playlist. Instead, tonight we kick things off with the sort-of eponymous track from The Nude Party’s latest release, and wrap things up with about 30 seconds of Railroad Jerk, because technical difficulties.
Tonight’s opening theme is clearly tribute to the Imaginary City — the opening cover is from the town’s The Streetwalkin’ Cheetahs, who are named after an Iggy and the Stooges lyric and have been pumping out a corresponding racket for about 30 years now. The song itself, originally by X, is about a friend of the band that left for England to hook up with the Damned’s Captain Sensible. The lore is unclear on whether the Captain was expecting that or not.
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
It’s hard to to live up to a name like Young Fresh Fellows when you’ve been at it for almost 40 years, but good time rock and roll never goes out of style.
The first mate adjusted the sails, letting out some wind to keep both skids on the sand. The sun shone down like a hole punched in a blast furnace someone painted blue, the radio broadcasting its gypsy salsa above the hiss of the sandmaran's travel. Leaning on the tiller, the captain let out a yell of warning as they crested a dune, gaining air for a brief moment. They still didn’t have a plan for replacing the statue, but they had a thousand miles of desert to work something out.
Like getting picked up by the scruff of your neck and smashed into a wall of orange Jello, Swarming Branch gets your attention with the warping and weaving of "Zsazsur's Real Estate Song".