Tag: Mungo’s Hi Fi

Brimming hot, dark, and strong with the elixir of repetition, pôt-pot help you eat the miles.

Someone called asking who was on the following morning, and I replied I had no idea. They told me to look in the clipboard to my right and what do you know, there it was. I had no idea this thing existed, probably from being so focused on bringing you the highest quality music, like Militarie Gun.

Does this Fat Freddy have anything to do with Shelton's Fabulous Furry Freak Brothers? Intentional or not, these compositions mixing reggae, funk, soul, dub, and other cannabis-friendly genres are a good way to spend an unproductive afternoon.

When I was younger, still developing my musical tastes, in an era where the Beatles were closer to those days than Nirvana are to these, I hated on Yoko. It's what we all did. The older me, like Stephin Merritt and the many other luminaries on Ocean Child: Songs of Yoko Ono, appreciates the inexpressible beauty and uncompromising nature of her art.

The three-hour live shows have settled into their own rhythm, with the stranger and more electronic offerings drifting into the territory of The Final Hour, between 11pm and midnight. This show is for the early risers who might be familiar with the upbeat indie pop that gets played at the top of the show but are missing out on the darker moods that are featured near the end.

You might think Juanes is some sort of reference to a collective of people named Juan, but it is actually a single Juan, more accurately a Colombian named Juan Esteban Aristizábal Vásquez. Here he is singing along to Elvis Costello and the Attractions as part of the fascinating Spanish Model project.

Sure, they claim to be joking, but the chops you hear from Lizard Music are as serious as a car accident, their indie guitar pop leaving no hook unsharpened or ear unwormed.

The story of Nell Smith & The Flaming Lips is as improbable and unexpected as their album full of Nick Cave covers. Existing in a triangular universe of mutual admiration, Where the Viaduct Looms gave us the opening track tonight, the menacing “Red Right Hand”.

If The Wedding Present were the traditional sort, they would be bringing coral to the festivities. This one is from earlier in their career, closer to the wood years, but the Velvet Underground never goes out of style. This is from another good VU tribute album, Heaven and Hell from 1991 or so.

The best dub music happens when the flow and repetition, the interlocking arrangements, and the roots-heavy vocals all work together to make the time dimension an immeasurable elastic abstraction.