Mixtape 256 • Version Control 3
A third installment of Version Control, our semi-regular exploration of tribute and imitation.
A third installment of Version Control, our semi-regular exploration of tribute and imitation.
Australian Ben Lee broke through as the singer for the teen outfit Noise Addict, but has since made quite a solo career for himself. He kicks off this edition of Version Control — all covers, all night long.
It’s edgy and manic and insistent, and it’ll surely drive your lunatic friends to ask you who is making that racket. Make sure you tell them Clifffs is spelled with three Fs.
The Musée National stood like a squat block, facing the highway at an angle and mirrored to the left by the library. The hu hu sat inside, waiting in the wing housing the musical instrument collection. The surgeon nervously handled the endoscope case, dusty from the helicopter ride that had brought them to N’Djamena. The calligrapher was clearly nervous but their services would only be required for brief minutes while they inspected the inscription on the inside of the ancient calabash.
The specialist carefully manipulated the waldoes linked to the robotic arms in the front of the submersible. The pilot peered out of the top dome, the glare of the spotlights illuminating the complex structure of the oil rig but the visibility of this part of the Gulf of Mexico not allowing much to be seen past the first couple tangles of girders. A single wire tethered the craft to the surface, its sole purpose safely delivering the radio signal carrying its obscure music and coded instructions past fathoms of seawater. The robot arms clasped the watertight bale of Oaxacan tamales tightly. The mission was only half over.