
IDLES • Ultra Mono
It’s difficult to explain why this sort of aggressive guitar-forward post-punk sound feels so much more anthemic when it comes from the UK, but the effect is certainly there.
It’s difficult to explain why this sort of aggressive guitar-forward post-punk sound feels so much more anthemic when it comes from the UK, but the effect is certainly there.
I don’t know why I want to call this sound “California country”, when it’s not from California nor is it truly country, but its twangy aroma and psychedelic coloring are probably a big reason why.
The name of this band may change every few years, but the implacable drone is unmistakable, like a heavy, doomed Ramones with a penchant for occasional celestial excursions.
When Rob Crow gets to anthologize the songs he wants to cover into an album, the results are disparate, insightful, and educational, ranging from King Crimson to the Melvins to the Beach Boys.
If you got The Nude Party to perform at your next get-together, it would be the kind of shindig that produces two marriages, three break-ups, and gossip for years to come.
There is something familiar yet quite subversive in the way Sneaks assembles their synthetic layers and stream-of-consciousness vocalizations into a collage of desperate modern living.
The Shilin Night Market had seemed to grow even more chaotic in the intervening years, yet the vendors and customers still retained their preternatural calm, as if the events happening all around them were due to forces completely out of their control. As the skeptic checked the status lights on the Stinky Tofu Containment Device for the seventh time that mission, the inspector pinged the jetpacks they had secured under a table of bejeweled phone cases to make sure they were primed for a quick getaway. Their progress came to a sudden halt as they considered the sign before them: “Small Sausage In Large Sausage - $120”
A new collection of covers from Yo La Tengo is not unusual, but their frequency does allow for some measurement of the band’s current mood, and the songs are always trailheads for musical exploration.
Spooky and unhinged, this single plods along with the menacing tone you might expect from the title. The flip side is more interesting, with call-and-response vocals, a bad attitude, and a woozy organ.
There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.