Mungo’s Hi Fi :: Antidote
The best dub music happens when the flow and repetition, the interlocking arrangements, and the roots-heavy vocals all work together to make the time dimension an immeasurable elastic abstraction.
The best dub music happens when the flow and repetition, the interlocking arrangements, and the roots-heavy vocals all work together to make the time dimension an immeasurable elastic abstraction.
This is a reissue of a 20-year-old album, yet the pan-global disco stew that comes from this band could live anywhere in their decades-long career continuum, past, present, or future. This is dance music for getting subtly amped up.
It's Member Drive time, and nothing says "support your community radio station" louder than three hours of Dub Night. Not a whole lot of funding was raised, but no matter! Three hours of heavy bass rhythms were played.
One of the kingpins of dub easily proves his worth on this retrospective covering the first four decades of UK producer Mad Professor and his deep undulating grooves, universal sounds that are neither fresh nor dated, but eternal.
The screen door banged against the frame of the small building that was once Cisco, Utah’s non-bustling post office. It’s like a ghost town abandoned by the ghosts, mused the cinematographer. Whatever once haunted this place left out of boredom. Meanwhile, the blacksmith methodically tapped the foundation along the perimeter of the building. They had brought the infractometer over from the side-by-side they had arrived in, but sometimes the old ways worked best. The rhythm etched out a Namibian bossanova that had been popular in the ‘70s. The entrance to the silo complex had to be near.
The chauffeur peered at the rear-view mirror. The scattered reflection from the rain-slicked A7 revealed only headlights, no politely alarming Luxembourg police flashers. The Corniche bulleted down the roadway, the flutter of its diplomatic flags the only sign that it wasn’t standing dead still. Some miles away, in Ettelbruck, the authorities were coming to the conclusion that the altercation at Chez Fred had been a distraction. In the back seat, the jeweler closed the briefcase, satisfied with its contents.
Cleary, this is something that needs a song to explain, and Mo Kenney is up to the task.
Returning to the seminal “Super Ape” album after four decades, Perry proves he’s adept at new technologies as well as old techniques.