Tag: Spot 1019

Welcome to a near-biographical experience as we focus on songs named after (and occasionally about) real people you may have heard of.

It was a day of jet-setting, starting in the dark hours of morning, and it wasn’t going to be over until the studio light went off. To keep up the energy levels, we presented a double-header of a special, first an hour of The Famous Polka, featuring songs titled after real (mostly) people, and following that two hours of Balkan Fever, with music that was far from exclusively Balkan but all fed into that manic two-step non-stop feeling.

It’s time to take perspective on our hyper-technologized society, through the audio lens of song.

With a name like The Giant Robots and an origin country like Switzerland, it would be easy to make a play on their precision, but the truth is that completely misses the point of their particular type of rave-up.

I am proud to bring you KNOWER, despite the fact that I constantly stumble over how to announce the name of the band, trying to tease out the magical diphtong that distinguishes it from “nowhere” to the listener. I love them so much I will even respect their penchant to spell their name in all-caps. Led by Louis Cole and Genevieve Artadi and often spiced with cameos, their take on modern jazz funk / funk jazz is always on tap to fix a day going wrong.

The carefully curated collection of artists performing tracks made famous by other artists continues, in the third annual Version Control. Some of these could be so obscure as to ask “is it a cover if I never heard the original” but we can leave the answering of that to the armchair philosophers. I’ll go on the record saying a good song is a good song no matter who performs it. Also, to the listener and fellow cassette afficionado that complained about Maxell and Memorex being mentioned in the same breath: my point is that neither one of them is TDK.

The new album from Jen Cloher is magnificent, and when her Twitter account favorited the playlist entry for the lead track tonight, I near swooned. I recommend you listen to I Am The River, The River Is Me from start to finish, and enjoy something you’ll be doing for years to come for the first time. In other news, our recently adopted cat Princess Otoboke Beaver (aka Pris) gave birth to four healthy kittens on St. Patrick’s day — Ziggy, Stardust, Spider, and Mars.

As it happens, if yours truly has a Valentine’s gig, it’ll be followed by one on Pi Day. Except on leap years. But the point here is that I thought about doing a show themed on circles, spheres, and other such expressions of the number and decided against it, but keep your ears peeled for some future incarnation of a “Round and Round” playlist. Instead, tonight we kick things off with the sort-of eponymous track from The Nude Party’s latest release, and wrap things up with about 30 seconds of Railroad Jerk, because technical difficulties.

Exploding out of upstate New York, The Bobby Lees have returned with a their third outing, titled Bellevue, and it delivers more of that biting, can’t-you-see-I’m-in-the-middle-of-an-episode post-rock blues energy. Tonight’s Mixtape closes out with Escape Mechanism’s “Being,” sampling William S. Burrough’s unmistakable reedy voice into an existential mantra.

The first time you hear Courtney Barnett taking on the Velvet Underground's "I'll Be Your Mirror," what you get is an electrifying shock of recognition: you know that distinctive voice, you know that timeless melody, but what you're hearing is completely new. I must add that there's a VU tribute album every few years, and even the worst of them can be decent, supported by the strength of the songs, but this one (also titled I'll Be Your Mirror) is exceptionally good.