Tag: The Fastbacks

Can't say it better than the band: The Hives forever, forever the Hives.

The tang of fall is in the air, though the days are dressed for summer. I missed Frankie and the Witch Fingers when they were in town a couple of months ago due to work travel, and I was supremely bummed, as their particular take on electropunk is right in my wheelhouse. Tonight’s selection is a weird little experimental number from their latest release, which I highly recommend.

A special collection of songs about humans and their interactions with water.

There are many bands that go by W.I.T.C.H. but this is the only one where it stands for “we intend to cause havoc.”

Bo Diddley may have written tonight’s opening cover, and Spoon may be the one actually performing it, but the spirit of Billy Childish, whose version earworms its way through my head every year or so, is quite strong on the shambling, end-of-the-rehearsal vibe heard here. To the listeners voicing strong opinions about the adorably shrill kids’ story that runs at the top of The Final Hour — your notes have been passed on to Management.

Dating back to a time before the whole phrase was unceremoniously truncated to “chillax”, Serge Gainsbourg’s imploration to enhance your mood is given a frantic workout by Stereo Total and in this case, their toy electronic noisemakers are a welcome homage. Elsewhere this show, we have Carl King’s prog-rock-and-glockenspiel interpretation of Rebecca Black’s infamous “Friday” … and it’s quite the improvement.

This show kicks off with a one hour special entitled "Under The Waves" — songs about swimming, sinking, and other water-related activities. Somewhere in there we hear from The Elected, who are desperately missed.