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This extensive 100-song collection highlights a song from each year of the last century and delivers it with a bluegrass tinge and Stampfel’s distinctive yawping … it’s not pleasing to everyone, but it’s hard to argue with the encyclopedic choices.
They hit hard and they hit fast, with half of the songs here clocking in at two minutes or less, but they also hit sweet, with layers of boy-girl harmonies and drizzles of horn section.
Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.
Like many Australian things, this band is somewhat recognizable yet clearly evolved in a different context. There are many different influences interleaved, from the Caribbean to the Highlands to Eastern Europe and of course, a tinge of that Oz punk.
Nothing can foil the pigeonholing into a genre like a clarinet. The band uses this and other analog sounds to weave minimalism and maximalism, presenting recognizable indie or songwriter tropes before smashing them in their musical supercollider.
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