Mixtape 198 • Everybody’s Gone to Sleep
“New music from Sparklehorse” sounds like something from a fever dream, and it sounds like something from a fever dream.
“New music from Sparklehorse” sounds like something from a fever dream, and it sounds like something from a fever dream.
Always a special treat to be back on the air after missing a show. This is the third show in a year that I’ve started with a Fugazi cover, in this case Failure taking on “Waiting Room” with their trademark grinding, implacable approach. The power of these songs, its distinctive musicality and lyrical content, is undiminished in the hands of any band bold enough to take on the material. Tonight also featured the confluence of several loyal listeners, including James in California, Underdog in Georgia, and Charley who is on South Korea time and got to take benefit from the time zone.
There are many bands that go by W.I.T.C.H. but this is the only one where it stands for “we intend to cause havoc.”
Bo Diddley may have written tonight’s opening cover, and Spoon may be the one actually performing it, but the spirit of Billy Childish, whose version earworms its way through my head every year or so, is quite strong on the shambling, end-of-the-rehearsal vibe heard here. To the listeners voicing strong opinions about the adorably shrill kids’ story that runs at the top of The Final Hour — your notes have been passed on to Management.
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
With so many new bands discovering and repurposing the swirling sounds of shoegaze, it’s no wonder original trailblazer is back with another collection of guitar-heavy near-instrumentals.
Hailing from the original wave of shoegaze, the band delivers the expected dosage of swooping guitar amidst dream-state vocals and rock rhythms
Washes of fuzzed-out bliss at your choice of tempos