If you dig a big fat sawtooth wave riff standing in the front and nearly hitting you in the face with the mic stand, then Brighton's AK/DK has your number. Turn it up and ready yourself to spasm uncontrollably.
The lasting appeal of PJ Harvey’s staredown is undeniable.
Bo Diddley may have written tonight’s opening cover, and Spoon may be the one actually performing it, but the spirit of Billy Childish, whose version earworms its way through my head every year or so, is quite strong on the shambling, end-of-the-rehearsal vibe heard here. To the listeners voicing strong opinions about the adorably shrill kids’ story that runs at the top of The Final Hour — your notes have been passed on to Management.
The world that deliberately-lowercased beabadoobee presents in her new album Beatopia is pastel neon colors, soothing howls, bright shadows, and all manner of psychedelic oxymorons. Tonight’s show features its introduction of sorts, and closes with the unexpected krautrock drone of my current favorite discovery, Japan’s deliberately-uppercased MASS OF THE FERMENTING DREGS, whose all-over-the-placeness manages to live up to its intriguing name.
The cryptographer tried to once again estimate the circumference of the lighthouse, asking the question aloud and then naming best guesses. The compulsion to know these geometric factors was strong. The agronomist successfully prevented their eyes from rolling. The history of this place was more interesting, having provided a high point from which to shine a light for centuries, currently for Estonia but briefly for the Kingdom of Torgu. That last bit of trivia was relevant because they were here to meet with the self-appointed Official Court Jester, who had requested they journey to this location on a rented tandem bicycle. They had also requested ice cream, “any color except white.” It waited in a cooler strapped to the bicycle’s ample frame.
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