Ascendants :: Quarantine
This producer-songwriter duo invests electronic beats and heavily-textured arrangements with soaring vocals, sometimes wordless but always emotive.
This producer-songwriter duo invests electronic beats and heavily-textured arrangements with soaring vocals, sometimes wordless but always emotive.
Tricky’s approach to music, with subdued tempos and striking contrasts (like pitting his industrial grit voice against Marta’s honeyed vocals) has not dulled over the years, glinting in the streetlight like an out of place scalpel.
The bewitching chanteuse and the mute production wizard is a pairing that has yielded consistently intriguing results through the ages, and these VideoSong pioneers are still leading today’s pack.
There was no official name for this giant hole, this cavern that truly made you realize the proper utilization of the word “cavernous”. Those who knew of its existence referred to it as the “Sarlacc Pit”, while the geologists debated what to call this previously unseen feature in the farthest reaches of British Columbia. The ophthalmologist could not help but recount these facts as they descended into its depths; they were the chatty sort and had barely endured a few hours of self-reflection in the noisy Chinook that had brought the expedition here. The conductor whistled a short melody and listened for the glorious reverberation. The nearest person who could recognize its Peruvian punk origins was 2,524 miles away.
Still burning bright, this is an interesting collection of material that has Pop veering from spoken word jazz to menacing indie rock. It’s not fast and loud, but it sure is sneering and in your face.
Awkward jams that nonetheless stick in your head on repeat, with highly-detailed production and a decidedly noir feel.
There wasn’t enough room on the narrow boat for the botanist to take out a handkerchief and wipe their brow. The square head vessel, slicing through the water on its way to the Phong Dien Floating Market, looked to be laden with mangos, but that was a ruse. The pyramids that piled the boat only a had a skin a single mango deep. Underneath were piles of something with about the same density as mangos, but much much more valuable. The captain twisted the knob on the cabin radio on hearing some narcopolka, the device’s limited capacity making the sound increase not in volume, only in distortion. The sun sparkled off the water, a thousand heat lasers evading the shade thrown by the wide straw hats they wore.
Like chocolate-covered potato chips, this mixture of disparate ingredients sounds unlikely but sounds delicious.
They're all over the place, but that's what I like about Post Animal. "Dirtpicker" owes much to the Jesus Lizard, especially in its title.