Tag: The Sadies

Every six years or so, Valentine’s Day lands on a Tuesday, and it’s a grand excuse to update and refine the Fight Night playlist, featuring two hours of music about verbal, physical, and emotional aggression. Why go the opposite way? I’m sure those with dates have better things to do than listen to the radio, and those without might appreciate the theme. Tonight’s Final Hour is a replay of tracks from another Final Hour from about a year ago, with all-new live commentary from yours truly.

Boston’s Sleepyhead have been successfully dodging full wakefulness for a couple decades now, putting out an intriguing type of bedroom pop filled with subtle complexities, and their new album is filled to the brim with such. In other news we kick off with a Fugazi cover from quintessential NYC band BODEGA, whose lineage clearly traces back to legions of posterized grit punks.

The world that deliberately-lowercased beabadoobee presents in her new album Beatopia is pastel neon colors, soothing howls, bright shadows, and all manner of psychedelic oxymorons. Tonight’s show features its introduction of sorts, and closes with the unexpected krautrock drone of my current favorite discovery, Japan’s deliberately-uppercased MASS OF THE FERMENTING DREGS, whose all-over-the-placeness manages to live up to its intriguing name.

Someone threw a key party for a bunch of musical genres, and Americana, Rock, and Punk left together. On the dashboard radio on the way to the motel, the Old 97’s were playing.

It’s indie pop, but it’s also heavily inflected with soul, country, R&B, western swing, and a bad attitude.

It’s back to a regular schedule, at least for the foreseeable future, and it’s good to be back with the usual cast of characters. A rare and rainy night in the Grand Valley, perfect for this random gallop through some haphazard old stuff and sparkly new stuff.